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_ THE SUPER-GANGSTER OF 
“ANGELS WITH DIRTY FACES” 
IN HIS MOST RUTHLESS ROLE 


= 


KAY FRANCI ¢ JAMES STEPHENSON ¢ JOHN ELDREDGE 


Directed by LEWIS SEILER ° Screen Play by George Bricker and Vincent Sherman 
From a Story by W. R. Burnett A WARNER BROS. PICTURE 


‘WHAT DO YOU WANT OF M 


“LET ME GO! IM A DOCTOR! =~ "BE SMAR 


T, 8 
SCAN DO B 


BUSINESS TOGETHE 


HUMPHREY 


BOGART 


A WARNER BROS. PICTURE 


Mat 401 — 91/4, inches x 4 cols. (516 lines) — 60c 


You’re selling the super-gangster of 


“Angels With Dirty Faces,” and an action- 


packed story by the man who authored 


“Little Caesar.” The advertising on these 


pages is the master key to your campaign. 


Country of origin U.S.A. Copyright 1938 Vitagraph, Inc. All rights reserved. Copyright is wuived to magazines and newspapers. 


wi ers yi 


He was too tough to die, this 
ruthless Dictator of Crime... \' 


6 


.. Until this daring woman doctor” 
gambled her life that medicine 
could win where bullets had failed! 


A WARNER BROS. PICTURE 
fine OR RE UR ee 


Mat 302 — 9 inches x 3 cols. (378 lines) — 45c 


Is tMunden.. 


To Kill the’ 
King of Killers? 


DON’T KILL 
THIS KILLER! 
Bring. him 


hack ....alive! 


WY James Stephenson + John Eldredge * Directed by Lewis Seiler » Screen Play by George 


Bricker and Vincent Sherman « From a Story by W. R. Burnett > A WARNER BROS. PICTURE 


KAY F RANCIS + James Stephenson - John Eldredge « Directed by Lewis Seiler WW 


Screen Play by George Bricker and Vincent Sherman * From a Story byW. R. Burnett *A WARNER BROS. PICTURE 


Mat 204 — 2I/, inches x 2 cols. (62 lines) — 30c Mat 205 — 2!/, inches x 2 cols. (64 lines) — 30c 
[3] 


HUMPHREY 


BOGART 


NOW BLASTS HIS 
WAY TO 
STARDOM 


7] 


r 


a Story by W.R. Burnett eA WARNER BROS. PICTURE 


2!/, inches (33 lines) 


Excitement with the Silencers Off! 
_ HUMPHREY BOGART 


Mat 102 . as the 


3 inches (41 lines) — 15c ‘King of the : 
Underworl 


KAY FRANCIS * James Stephenson 
J P 
John Eldredge - Directed by Lewis Seiler 


Screen Play by George Bricker and Vincent Sherman e From 
a Story by W.R. Burnette A WARNER BROS. PICTURE 


KAY FRANCIS * James Stephenson 
John Eldredge. Directed by Lewis Seiler 
Screen Play by George Bricker and Vincent Sherman « From 
@ Story by W.R. Burnett «A WARNER BROS. PICTURE 


134, inches (23 lines) 


BOTH ADS ON ONE MAT 
Mat 104 — [5c 


His gun conquered the underworld... 
held cops at bay! But can it save him 
from a daring woman doctor who 


strikes... with medicine as a weapon? 


HUMPHREY 


GART 


CO al 
. HUMPHREY 


8 a 

ens : 
Te pe Face to Face* 
The 


KAY FRANCIS 


James Stephenson - John Eldredge “ins 


. e WARNER BROS: 
Directed by Lewis Seiler - screen Play by George Bricker and Vincent \W [77 
Sherman « From a Story by W.R. Burnett-A WARNER BROS. PICTURE 


| James Stephenson + John Eldredge fe 
= Directed by Lewis Seiler 
; Screen Play by George Bricker and Vincent 
ee Sherman From a Story by W. R. Burnett 
ss A WARNER BROS. PICTURE 


T H E A T R E 


Mat 106 
Mat 202 — 1034 inches x 2 cols. (298 lines) — 30c 834, inches (123 lines) — I5c 


[4] 


she double- 
crosses the 
king of double- 
crossers...it’s 


excitement with 


Bad man of 7 the silencers off! 


‘San Quentin’ Y 
‘Clitterhouse’ 
‘Racket Busters 


| now, 
blasts *. 


his way 
Page John Eldredge 
Directed by 
Lewis Seiler 
A WARNER BROS. 
PICTURE 


NT 


Screen Play by George Bricker and Vincent Sherman - From a Story by W. R. Burnett 


Eldredge 
Stephenso® me 

ames : 

aie pe by Lewis 


Mat 203 — 5 inches x 2 cols. (142 lines) — 30c 


Screen Play by George Bricker & Vincent Sherman 
Fromastory by W.R. Burnett » A WARNER BROS. Picture 


Mat 101 
5 inches (70 lines) — 15c 


It is for her! If he dies, 
she pays...with her life! 


FRANCIS 


James Stephenson 
John Eldredge 


Directed by Lewis Seiler 
Screen Play by George Bricker 


and Vincent Sherman 
From a Story byW. R. Burnett 
A WARNER BROS. 
Picture 


James Stephenson - John Eldredge 
Directed by Lewis Seiler + Screen Play by 
George Bricker & Vincent Sherman - From a Story 
by W. R. Burnett - A WARNER BROS. Picture 


Mat 103 
4l/, inches (60 lines) — 15c Mat 301 — 6 inches x 3 cols. (255 lines) — 45c 


[ 3 ] 


BRING 

HIM 

BACK... 
ALIVE! 


Is XMunden 


TO KILL THE KING 
OF KILLERS? 


Can this woman 
: doctor gamble with 
j human lives and 
not lose... her own? 


It is for her! If he 
dies, she pays... 
with her life! 


Mat 208 — 4l/, inches x 2 cols. (116 lines) — 30c 


From a Story by W. R. Burnett & 
A WARNER BROS. PICTURE 


Mat 105 
534 inches (81 lines) — 5c 


Cringing in fear stands 
the King of Killers!... 
Useless the gun at his 


HUMPHREY 


Now Blasts His Way To Stardom As_ _ ART 
The Ruthless, Vicious, Thrilling 


King of Bad Men...as the 


hip! He’s trapped by a 


daring woman’s trick! 


™ KAY FRANCIS 


_ James Stephenson - John Eldredge 
SAY Via Directed by Lewis Seiler + Screen Play by 
George Bricker and Vincent Sherman - From a Story 


by W.R. Burnett: A WARNER BROS. PICTURE 


KAY FRANCIS 


as the daring woman doctor who fought 
crime with the secrets of medicine! 


James Stephenson -John Eldredge - Directed by Lewis Seiler 


Screen Play by George Bricker and Vincent Sherman . From a Story by W. R. Burnet 
A WARNER BROS. Picture 


Mat 206 — 7I/, inches x 2 cols. (206 lines) — 30c Mat 207 — 6 inches x 2 cols. (166 lines) — 30c 


Lift Next Page For Exploitation Spread — 


[6] 


SENSATIONALIZE YOUR EXPLOITATII 


CALLING ALL POLICE! 


Number of stunts based on the ‘‘crime doesn’t pay’? theme 
can be worked out easily and at small expense. Most theatre 
men are friendly with heads of local police. Thus it’s simple 
enough to put these suggestions to work. 


. Police provide special escort for print when it is delivered to theatre on open- 
ing day. News photogs cover for paper breaks. Large label attached to film 
can gives title and billing. 


. Police car parked in front of theatre during run of film. Special banners 
. attached to car tie in picture. Ask for public co-operation with police de- 
partment to help curb crime.. 


. Police benefit for families of officers who died in action. Local organiza- 
tion sells tickets and helps publicize show. Papers run daily stories on 
local police heroes. 


. Present special award of valor to policeman whose recent act of heroism in 
battling crime has been most deserving of recognition. Police officials 
present award on stage during run of picture. 


- Local paper conducts popularity contest to find town’s most popular po- 
liceman. Newspaper prints ballots in their columns which are mailed to 
contest editor or deposited in special box in theatre lobby. Awards are 
promoted from local merchants. 


. If local police department has received any awards for skill in marksman- 
ship with guns, then place these awards on display in lobby foyer with blow- 
up head of Humphrey Bogart and card explaining: ‘“Here’s why the odds 
are against killers like ‘Red’ Gurney — ‘King of the Underworld’.” 


Fingerprints Gag 


This lobby contest should make an 
impression. Week ahead of opening, 
attendants take fingerprints of pa- 
trons in lobby. Patron is given one 
set; the other is kept on file. Week 
picture plays, a few of the prints are 
displayed in lobby. Those identify- 
ing prints as their own get passes. 


THIS \S WHAT HAPP 
WHEN THE POLICE CAUGHT THE 


G OF TH 
RWO F 


Teletype Machine 


Promoted from local telegraph office 
is set up in lobby. Attendant sends 
message: “Excitement with the si- 
lencers off . . . when the king of the 


underworld strikes back at the law! 


—see Humphrey Bogart in ‘King of 
the Underworld’ coming to this the- 
atre Thursday for one week.” 


EXHIBIT ‘GANGSTER’ CAR 


+ es 
sa © 
oe 


Wrecked car, looking as though it had been treated with 
plenty of gunfire, is parked in front of theatre or prominent 
corner in town. Large banner attached to hood explains: 
“This is what happens to all public enemies. This car be- 
longed to the ‘King of the Underworld’.’’ Attendant nearby 
passes out heralds with theatre imprint and playdates. 


[7] 


sc HUMPHRE 


KING of the- 


= 


\\ 


TOO TOUGH TO 
DIE BY 
THIS 


Dramatic lobby exhibit shown above c 
tric chair and giant replica of medicin 
ing angles with extra emphasis on “‘ba 
of the Underworld!’ Lights are arran 
dropper alternately. Red light flickers 


DON’T FORGET: You 
Bogart, the super-gan 
Dirty Faces.’ This is of ¢ 


ly if you’ve played ‘Ar 


News Breaks 


Clip scare heads from recent tab- 
loids, feature stories dealing with 
underworld exploits, ete. Surprint 
copy: “Is It Murder... to kill the 
king of the underworld? For the an- 
swers see ‘King of the Underworld’.”’ 
Add flock of scene stills and blowup 
heads of “the King of Bad Men” — 
Humphrey Bogart. 


Rogues’ Gallery 


From police or newspaper morgue 
borrow photos of real gangsters. 
Mount these on lobby board together 
with blowup of Bogart, “‘King of the 
Underworld.” Surround with mon- 
tage of sensational crime headlines, 
selling copy, and scene stills. This 
type of display, used to great advan- 
tage on many gangster films, will ap- 
peal to the “mug”’ trade. 


JN FOR ‘KING OF THE UNDERWORLD’ 


Y BOGART 


NDERWORLD 


ontains real machine gun. dummy elec- 
e dropper. Gets across the strong sell- 
Iman”? Humphrey Bogart — the ‘‘King 
zed to focus on gun, chair and medicine 
on and off above electric chair. 


re playing Humphrey 
gster of ‘Angels With 
efinite value, especial- 


gels.” Play it up BIG! 


Ballistics Display 


Police department can help arrange 
a lobby display of modern apparatus 
used to track down gangsters — ma- 
chine guns, handcuffs, rifles, tear gas 
bombs, microscopes, calipers, finger- 
print equipment, etc. Small cards 
explain their various uses. 


For Your Sniping 


‘“‘King of the Underworlsd”’ calls for 
‘‘Wanted”’ posters. Tack ’em to poles, 
fences, buildings, trucks, bulletin 
boards, backs of newsstands, ete. 


Teaser Ads 


Spot these in classified section of 
newspaper: ““WARNING! Be on the 
lookout for the ‘King of the Under- 
world’ — Don’t kill this killer! Bring 
him back alive. See why at the 
Strand Theatre beginning Friday.” 


DON’T PASS THIS UP! 


Local radio station might run an “I Met a Bandit” program. In fact it 
would make good newspaper feature series for say, a week running. “King 
of the Underworld” gets tied in for free plug by perhaps doing the 
leg work in addition to supplying the idea. Small, out of the way gro- 
cers, cab drivers, bank messengers, in fact anybody who has been at 
some time ordered to “‘put ’em up” should be glad to grant an interview 
telling how it felt, what they thought about, etc. 


“Shock”? Booth 


Large booth is constructed in your 
lobby. Cards on the outside carry 
this copy: “Can you meet the ‘King 
of the Underworld’ face to face? 
Step inside and find out.” Inside 
booth is display of scene stills from 
picture, blowup heads of Humphrey 
Bogart, ete. Copy: “It’s excitement 
with the silencers off when the ‘King 
of Bad Men’ blasts his way to stardom 
in ‘King of the Underworld’.” 


Street Bally 


Man resembling burly detective is 
handcuffed to man dressed as tough 
guy. They walk through busy section 
of town. Card on back of “tough” 
reads: ‘““They’re making me go to the 
Strand Theatre to see ‘King of the 
Underworld’ to teach me that crime 
doesn’t pay.”’ 


Satety Campaign 


Tie into local drive-carefully-cam- 
paign with cooperation of police de- 
partment. Get out posters or tack 
eards proclaiming: “Bad drivers are 
public enemies. Don’t be in the same 
class as the ‘King of the Under- 
world’ — at Strand Friday.” 


Book Shop Window 


Contact local book dealers and ar- 
range dispay of recent books con- 
cerning crime and underworld char- 
acters — ‘“‘Here’s To Crime”, “10,- 
000 Public Enemies’, etc. Surround 
with batch of scene stills from the 
picture and tie in your billing and 
playdate. ‘‘King of the Underworld” 
is from a story by W. R. Burnett, au- 
thor of “Little Caesar’? which offers 
another angle for dealer cooperation. 


Evidence Display 


Large box is set up in lobby with this 
copy: “Police seek evidence to con- 
vict the ‘King of the Underworld.’ 
Can you help?” Patrons are asked 
to deposit any information they have 
on criminals. Box is plastered with 
scene stills and selling copy tieing in 
billing and playdates. 


Extras Surprinted 


Old, but reliable. Surprint back num- 
bers of paper in red ink. Bold, 
screaming type reads: “Is it MUR- 
DER” (and in smaller type) To Kill 
The ‘KING of the UNDERWORLD’? 
See the thrilling answer at the 
Strand Theatre today.” 


THREE-SHEET CUTOUT 


Above illustration shows how the three-sheet may be cut.out 
and set up for an attractive and low-costing display. Add title 
and star billing, and spot it out front, on your marquee, or in 


the lobby. 


[8] 


CONTEST SELLS HUMPHREY BOGART 


LOBBY DISPLAY 
OR CONTEST 


One-shot newspaper, herald or lobby con- 
test. Illustrations show Bogart in under- 
world characters he portrayed in former 
pictures. Entrants are asked to name title 
of motion picture in which Bogart appear- 
ed. Answers are sent to newspaper or de- 
posited in lobby box. Award guest tickets 


to winners. 


For contest order Mat No. 211—30c. For 
lobby display order special set of ‘“‘Bogart 
Contest Stills’? 35¢ a set-—from Campaign 
Plan Editor. 


Answers 
1. As ‘Rocks’ Valentine, gunman, in “The 
Amazing Dr. Clitterhouse.” 


2. As “Turkey” Morgan, fight promoter, in 
“Kid Galahad.” 


. As Martin, crime-ezar, in “Racket Busters.” 


m 


. As Frazier, mouthpiece, in “Angels With 
Dirty Faces.” 


Sock Trailer Provides 
Punchy Display Lines 


HE'S THE RUTHLESS KING OF THE UNDERWORLD! 


THE BAD MAN OF "RACKET BUSTERS" AND "ANGELS WITH 
DIRTY FACES" SCORES AGAIN! 


HUMPHREY BOGART 
IN THE SCORCHING STORY OF GANGDOM'S LAST STAND! 


"KING OF THE UNDERWORLD" 

AT HIS COMMAND AN ARMY OF KILLERS IS TURNED LOOSE! 
CITIES ARE RAIDED AND PLUNDERED! 

IT'S CRIMELAND'S MOST DESPERATE WAR AGAINST LAW. 
IF THIS MAN LIVES 

HUNDREDS WILL DIE! 

CAN AN AVENGING WOMAN DOCTOR STOP HIM 

WHEN POLICE BULLETS HAVE FAILED? 

"KING OF THE UNDERWORLD" 


with 
HUMPHREY BOGART 
KAY FRANCIS 


IT'S EXCITEMENT WITH THE SILENCERS OFF! 


Be Sure Vo Put It To 
Work On Your Screen 


Official Billing 
WARNER BROS. 40% 


Pictures, Inc. Presents 5%, 


HUMPHREY BOGART _ 


“KING OF THE UNDERWORLD” 


with 
KAY FRANCIS 40%, 
JAMES STEPHENSON @ JOHN ELDREDGE 20%, 
Directed by Lewis Seiler 20%, 
Screen Play by George Bricker and Vincent Sherman 3°, 
From a Story by W. R. Burnett rb 
A Warner Bros. Picture Bio 


a ge ee et hp ee ssn ieee nite prs ag a 


Round Out A Full Program With These Vitaphone Shorts 


JOE AND ASBESTOS — are up to their necks 
in "Boarder Trouble.’ As usual they solve their 
worries at the race track. 4016 — Broadway 
Brevities — 20 mins. 


CLYDE LUCAS AND ORCHESTRA — are a 
big time band with plenty of the stuff and or- 
chestrations that made their distinctive style fa- 
mous. 4707 — Melody Masters — 10 mins. 


PORKY THE GOB — joins the navy for a whirl, 
and helps to capture a pirate vessel in a new 
and rollicking manner. 4805 — Looney Tunes 
—.7 mins. 


e 
NATURAL COLOR — enriches the striking 


shots of ‘Nature's Mimics,’ birds and animals 
with the peculiar ability to imitate their fellow 
creatures. 4604 — The Color Parade — 10 mins. 


[9] 


THE LONE STRANGER AND PORKY — meet 
out where men are men and women are always 
damsels in distress. Rip roaring plot. 4806 — 
Looney Tunes — 7 mins. 


TECHNICOLOR — "'Swingtime In The Movies." 
Cast includes Pat O'Brien, Marie Wilson, John 
Garfield, the Lane Sisters, etc. 4003 — Vita- 
phone Technicolor Featurette — 20 mins. 


ea 


KING OF THE UNDERWORLD —ADVANCE PUBLICITY 


Action In Gangster Film 


HUMPHREY BOGART 


Mat 212——30c 


KAY FRANCIS JAMES STEPHENSON 


Play lead roles in “King of the Underworld” coming to the Strand. 


‘King Of Underworld’ 
New Strand Picture 


Blind men blasting away with revolvers, sawed-off 
shotguns, Thompson sub-machine guns — that’s a new 
touch in motion picture situations! Not even the oldest 
scenarist or director at Warner Bros. could recall any- 


thing like it. 

The new wrinkle was 
duced in the Warner Bros. film, 
“King of the Underworld,” which 
stars Humphrey Bogart, opening 
Friday at the Strand. Bogart led 
the blind gangsters in blasting 
away at “the Law” from their 
hide-out. They couldn’t see be- 
cause Kay Francis, as a woman 
doctor treating the gangsters 
(under duress) for bullet wounds, 
had temporarily blinded them by 
putting adrenalin drops in their 
eyes, 

Of course, she did it by a trick. 
Claimed they had a bad eye di- 
and were speedily going 
blind — had to have immediate 
treatment. They got it! 

The gangsters weren’t really 
blind in the long shots, but Bo- 
gart and his fellows did have to 
submit to some drops of bella- 
donna dilating the pupils of their 
eyes for three closeups. They 
“slept off” the effects, which last- 
ed for several hours. 

Bogart has suffered many vio- 
lent deaths on the screen, but to 
be captured by a mere woman, 
was indeed something of a bitter 
pill for him to swallow. 


Sease 


Fitting Hobby 


John Eldredge, film villain who 
was graduated (by popular de- 
mand!) into hero and semi-hero 
parts such as he plays opposite 
Kay Francis in Warner Bros.’ 
‘«King of the Underworld,’’ which 
comes to the Strand Theatre Fri- 
day, has one of the best collections 
of duelling pistols in America. 
Every pair of the eighty-odd in his 
collection has participated in some 
notable affair on the ‘‘field of 
honor’? in days past. 


Extra Fears Realism 
In Operation Scene 


Kay Francis plays a famous 
woman doctor in an operation 
scene from “King of the Un- 
derworld,’ a Warner Bros. 
drama starring Humphrey Bo- 
gart, coming Friday to the 
Strand. 

The lady surgeon carefully 
raises her scalpel, when sud- 
denly Director Lewis Seiler 
decides to halt the scene for 
some reason, and promptly, in 
best filmdom jargon, yells, 
“Cut!” 

“No you don’t, not me!” 
came like a shot from the 
operating table where a fear- 
ful extra was having grave 
apprehensions regarding the 
realism which he thought was 
about to be exercised. 


(000 


intro- | 


Nerves Steadied 
By Needlework 


Some movie stars—Kay Francis 
is one—ecan’t be placid between 
scenes unless they are doing some- 
thing with their hands. It relieves 
the mental tension they undergo. 

Kay did some fine needlepoint 
work while engaged in ‘‘ King of 
the Underworld’’ starring Hum- 
phrey Bogart at Warner Bros. 
This is the melodrama that comes 
to the Strand Theatre next Friday. 
One day her secretary accidentally 
picked up Miss Francis’s work 
and carried it away downtown on 
a two-hour errand. 

Kay couldn’t read, couldn’t sit 
still, couldn’t do anything but walk 
up and down the stage until the 
girl returned. 

‘No, it isn’t temperament; it’s 
simply jittery nervousness,’’ said 
the star. She was so relieved at 
getting the linen between her fin- 
gers again that she didn’t even 
bawl out the embarrassed girl. 

As a matter of fact, when she 
had finished the fine needlepoint, 
a beautiful piece ot work, she gave 
it to the girl, and asked her to 
keep it as a memento from the 
actress. 


‘Napoleon’ Bogart 


Reading up on Napoleon in or- 
der to play an American bandit 
character may seem a little unusu- 
al, but Humphrey Bogart did it 
for his starring title character in 
Warner Bros.’ ‘‘King of the Un- 
derworld,’? which comes to the 
Strand Theatre on Friday. His 
bandit has a Napoleonic complex, 
wants to be ‘‘ Napoleon of crime.’’ 

His peculiar ideas include ecap- 
turing a young novelist to write 
his biography for him, and fore- 
ing a woman doctor to care for 


the wounds his followers receive in 
their brushes with the law. 


(Lead ) 


“King Of Underworld’ 


Brings Star Rating 


To Humphrey Bogart 


In his first starring role since making his mark in Hollywood felt as a featured 
player in “Angels With Dirty Faces,” “The Amazing Dr. Clitterhouse,” and “Crime 
School,” Humphrey Bogart, filmdom’s ace gangster, will star in “King of the Under- 
world,” which comes Friday to the Strand Theatre. 


Thorn In Lion’s Paw? 


KAY FRANCIS 


Mat 209——30c 


HUMPHREY BOGART 


Humphrey Bogart is “King of the Underworld,” title of film soon 
at the Strand. 


Boyhood Experience 


Forecast 


Bogart’s 


Future Film Roles 


Humphrey Bogart, starring in the Warner Bros. 
melodrama, “‘King of the Underworld,’ which comes to 
the Strand Theatre Friday, was almost shot to death when 
only 15 years old, and a happy-go-lucky prep school stu- 
dent in Connecticut. Of course it was only an accident, 
but one which might have had dire consequences. 


While on vacation in New York 
City, he and a chum took a room 
in a hotel. There his friend show- 
ed Humphrey a 22-caliber target 
pistol which he had gotten from 
some source, and while the kids 
were inspecting it, the gun went 
off, sending a bullet into Bogart’s 
left forearm. 


Young Ingenuity | 


Bogart says, “Calling on my 
schoolboy instincts, I screwed a 
light bulb from the socket and 
broke it on the floor so that if 
anyone inquired about the noise 
of the shot, I could tell them we 
had broken the light. Then I 
wrapped a towel around my arm, 
hung an overcoat over. it, took 
my suitcase in my right hand, 
and went down and checked out.” 

“By the time we reached the 
office of a doctor who was a 
friend of my dad’s, I was pretty 
badly scared, but the doctor fixed 


Achieves Stardom In New Role 


HUMPHREY BOGART 


Filmdom’s ace gangster portrayer, Humphrey 
Bogart, steps up to stardom in “King Of The 
Underworld,” a Warner Bros. drama coming 
Friday to the Strand. Bogart led up to star 
rating with smash performances in “Kid Gala- 
had”, “The Amazing Dr. Clitterhouse’’, “‘Crime 
School” and “Angels With Dirty Faces.” 


Mat 108——15c 


[10] 


me up, and I guess he notified 
my mother right after that. My 
mother was a good sport, and 
kept my secret.” 


No Spirits Here 


Humphrey Bogart, as the ban- 
dit in Warner Bros.’ ‘‘King of 
the Underworld,’’ which opens 
Friday at the Strand Theatre, tells 
Kay Francis that hero James 
Stephenson is writing an autobiog- 
raphy of him called ‘‘The Napo- 
leon of Crime.’’ 

‘“Ghost writing?’’ queries Kay. 
““Naw, none of dat mysterious 
stuff,’’ says Bogart. ‘‘Dis is 
straight facts.’ 


STORY SYNOPSIS 
(Not for publication) 


Kay Francis and her husband, 
John Eldredge, are successful 
surgeons at the County Hospital. 
When Humphrey Bogart, a gang- 
ster Chief with a Napoleonic com- 
plex, admires their skill in oper- 
ating on and saving a fellow 
mobster, he forces Eldredge into 
working for the gang, until killed 
in a police raid. 

Kay goes to a small town 
where the gangsters are hiding 
out, hoping to avenge her hus- 
band’s death. The gangsters are 
wounded in a fight with the po- 
lice, and with them is James 
Stephenson, novelist, held by the 
gang. Stephenson and Miss Fran- 
cis fall in love, and plot the doom 
of the gang. 


A Warner Bros. picture and fea- 
turing Kay Francis as a surgeon, 
the cast includes James Stephen- 
son, John Eldredge, Jessie Busley, 
Arthur Aylesworth, John Ridgely, 
Harland Tucker and Charley Foy, 
and was directed by Lewis Seiler. 
The picture marks Humphrey Bo- 
gart’s rise to starring ranks—a 
fact welcomed by his fans. 


Crime and Humor 


Although ‘‘ King of the Under- 
world’’ is a e¢rime picture, it is 
not without its humorous twist. 
The capable Bogart, possessing a 
Napoleonic complex, really thinks 
he is the king of Crime—so much 
so, that he kidnaps a young novel- 
ist, Stephenson, and commands him 
to write a biography, glorifying 
the exploits and achievements of 
““Red’?? Gurney, which is Bogart’s 
character name. 

Red Gurney’s philosophy of life, 
his inordinate vanity and his dicta- 
torial treatment of his underlings 
are said to be highly amusing. 

But he fails to take into account 
the surgeon’s feminine ingenuity 
and her complete knowledge of 
drugs which eventually proves dis- 
astrous to the gang chief. 

The story, by W. R. Burnett, 
who wrote the famed ‘‘ Little Cae- 
> which starred Edward G. 
Robinson a few years ago, was 
adapted for the screen by George 
Bricker and Vincent Sherman. 


sary? 


CAST 
OG; GUIMCY. 50a as ee 
HUMPHREY BOGART 


Carol Nelson............ Kay Francis 
Bill Forrest... James Stephenson 
Niles Nelson.......... John Eldredge 


Aunt Margaret ...... Jessie Busley 
Dr. Sanders... Arthur Aylesworth 
Sheriff............. Raymond Brown 


Mr. Ames ........ Harland Tucker 
Mr. Robert ......... Ralph Remley 
Bddie® ..cc3.0606.04.0. Charley Foy 
BC Oe Murray Alper 
POPRKY. 3. istics: Joe Devlin 
Mugsy.................. Elliott Sullivan 
Slieke es... Bea See Alan Davis 
Slatse. 22 eS John Harmon 
WGI Sse asc ee John Ridgely 
Interne ................ Richard Bond 
Dist. Attorney........ Pierre Watkin 
Dr. Ryan ..... Charles Trowbridge 
Dr. Jacobs................ Ed Stanley 
PRODUCTION STAFF 


Directed by....... LEWIS SEILER 
Screen Play by . George Bricker 
and Vincent Sherman 


Adapated From a Story by.... 
W. R. Burnett 
Photography by .. 
Sid Hickox, A.S.C. 
Film Editor........... 


Dialogue Director.................... 
Vincent Sherman 


Sound by............... E. A. Brown 
Art Director........... Charles Novi 


Frank Dewar 


Gowns by.....00............. Orry-Kelly 


Technical Advisor ................... 
Dr. Leo Schulman 


Musical Direetor...................... 
Leo F. Forbstein 


Authoress Kay Francis 


Kay Francis reveals that for the 
past three months she’s been lei- 
surely jotting down quips for a 
volume of humorous epigrams. She 
has sold the title and a sheaf of 
samples to a publisher—the title 
is ‘‘Flippancies.’’ She appears in 
““King of the Underworld,’’ star- 
ring Humphrey Bogart which is 
coming to the Strand Friday. 


KING OF THE UNDERWORLD—ADVANCE AND OPENING DAY PUBLICITY 


Roles of An Ace Villain 


HUMPHREY BOGART 


Through a series of smash performances in “Kid Galahad”, “Rack- 
et Busters”’ and “Angels With Dirty Faces,”’ steps into stardom with 
the lead in “King Of The Underworld,”’ coming Friday to the Strand. 


(Above illustration is also used for the ‘Humphrey 
Bogart Contest’ — See Page 9 in this Campaign Plan.) 


They say Humphrey Bogart is the best — or should we say worst? — villain 


screen, it’s due to a theory. 

His theory is that villains 
shouldn’t be played as bad men 
at all, except in the nature of their 


deeds. They should be depicted as | 


interesting and human characters. 
A villain of the old school is a vil- 
lain and nothing else. Bogart’s 
type of villain can be greatly di- 
versified. 

‘“‘The great danger in playing 
villains lies in making them all 
alike, in making their whole char- 
acters over-sinister, and above all 
in making them inhuman,’’ says 
Bogart. ‘‘For that reason every 
effort ought to be made to make 


villains intensely human and un- | 


derstandable. 


| Humanizes Villains | 


‘¢Making them villainous is su- 
premely simple. The character 
simply does villainous acts. And 
the more human he is when he 
isn’t actually committing a  vil- 
lainy, the more appalling his mis- 
deeds seem when they’re perpe- 
trated.’’ 

His greatest bit of villainy to 
date he thinks, is in ‘‘King of the 
Underworld,’’ in which his princi- 
pal victims are Kay Francis, 
James Stephenson and John El- 
dredge. He thinks this particular 
villain, a bandit and gang leader, 
is most interesting because the 
character is the most human he has 
ever played. 

The fellow is many-sided — full 
of whimsical humor, interesting 
weaknesses and hobbies, capable of 
friendships and loyalties, but 
thinks he is the Napoleon of crime. 
He’s full of native intelligence, but 


Mat 201—30c 


Humphrey Bogart 
Top Screen Villain 


(Opening Day) 


‘King Of Underworld 
Opening At Strand 


A new star comes to the Strand Theatre today in Warner Bros.’ latest melo- 
drama, “King of the Underworld.” His name is Humphrey Bogart, and featured with 


him is Kay Francis. 

Although Bogart has played fea- 
tured roles in many successful pic- 
tures—among them ‘‘ Racket Bus- 
ters,’’? ‘‘The Amazing Dr. Clitter- 
house’? and the sensational 
‘“Crime School’’—he has never be- 
fore actually been a star. ‘‘King 
of the Underworld’’ marks the eli- 
max of his swift rise to the top. 

In this picture he is a half vil- 
lainous, half humourous gang lead- 
er with enormous conceit—so much, 
indeed, that he makes prisoner a 
young novelist to write a eulogistic 
biography of him. He wants the 
world to know him as the Napoleon 
of crime. All this is reported to 
be very funny. 

On the other hand, he doesn’t 


| hesitate to make a prisoner of Miss 


Francis, a noted surgeon, so that 
she may dress wounds the gang- 
sters receive in their conflicts with 
the police. 

Bogart’s characterization of 
‘«Red Gurney,’’ the mob leader, .is 
said to be one of his finest efforts. 
But he is outsmarted in the end 
by the woman doctor, and lands 
behind the bars. 

Other notables in the picture, 
which was directed by Lewis Sei- 
ler, inclues James Stephenson, John 
Eldredge, Jessie Busley, Arthur 
Aylesworth, John Ridgely, Harland 
Tucker and Charley Foy. 

The screen play, by George 
Bricker and Vincent Sherman, was 
based on a story by W. R. Bur- 
nett of ‘‘Little Caesar’’ fame. 


in 
motion pictures. Whereupon Humphrey, who has his first starring part in “King of 
the Underworld,” his latest Warner Bros. film, which comes to the Strand on Friday, 
says that if there’s any truth to the rumor he’s the most effective bad man on the 


Mat 110—1l15c 


HUMPHREY BOGART 
Plays “‘heavy”’ in “King Of The 
Underworld” coming to Strand. 


steeped: in ignoranee. And he’s a 


ruthless killer. 


| Present Role Best | 


Bogart believes the character in 
‘“King of the Underworld’’ tops 
that which won him such great 
fame on stage and screen, the ban- 
dit in ‘‘Petrified Forest.’’ That 
bandit hadn’t enough opportunity 
to show his human side. Yet any- 
one who remembers the picture will 
agree that the thing which made 


him great, as villains go, was his 
flashes of humanness, revealed here 
and there as the plot unfolded. 


Modest Gangster 


Next to ‘‘King of the Under- 
world,’’ Bogart is fondest of his 
recent villain role in Edward G. 
Robinson’s picture, ‘‘ The Amazing 
Dr. Clitterhouse.’’ He thinks it 
doesn’t stand out greatly from the 
rest of the action however, because 
attention centers on Robinson’s 
amazing doings and the specula- 
tion on whether or not he’s insane. 
But it’s not always the attention 
he wins which pleases Bogart. 
‘<Tt’s the fun I have!’’ he de- 
clares. ‘‘I enjoy depicting types— 
creating a little variety.’’ 


Temperature Up 


In the melodrama, ‘‘ King of the 
Underworld,’’ coming to the 
Strand Theatre Friday, Kay Fran- 
cis takes a thermometer from the 
mouth of wounded gangster Hum- 
phrey Bogart. He looks a question. 
“Your temperature’s 103,’’ says 
Dr. Kay. Bogart brightens. ‘‘I’m 
gettin’ better then, huh? Last 
time you took it, it was only 98!’’ 

Bogart plays a gangster with a 
Napoleonic complex. This peculiar 
characteristic brings many humor- 
ous twists to the story. He even 
kidnaps a novelist to write his 
biography, and wants a private 
surgeon to care for his mob. 


[ih] 


KAY FRANCIS 


Mat 210—30c 


HUMPREY BOGART 
Dramatic scene from “King Of The Underworld” now at Strand. 


Oxygen Inebriates 


Players In Scene 


A film east that became intoxicated recently at Warner 


Bros. studio imbibed no lquid stronger than water. 


Kay 


Francis, John Eldredge, and others performing a cinematic 
surgery operation before the camera in scenes of ‘‘King of 
Underworld’’ starring Humphrey Bogart, now showing at 


Stephenson 
Once Writer 


You’ve seen many actors who 
played whimsical characters on the 
screen, but never one so whimsical 
in person as James Stephenson, 
lanky Englishman now playing in 
Humphrey Bogart’s first starring 
picture, ‘‘King of the Under- 
world,’’ the Warner Bros. melo- 
drama soon to open at the Strand 
Theatre. 

Portraying a novelist in the sto- 
ry, Stephenson is in real life a pulp 
magazine writer and what he calls 
a ‘‘penny dreadful’’ writer. He 
has had four paper-backed novels 
published abroad. 

He started out to be a dentist be- 
cause, he insists, a certain dentist 
was the most interesting man he 
ever met. He gave it up when he 
realized being a dentist didn’t 
give one the gift of gab and knowl- 
edge of the world his tooth-pulling 
friend excelled in. 


Praise For Seiler 


Lewis Seiler, who directed 
Humphrey Bogart and Kay 
Francis in “King of the Un- 
derworld,” opening Friday 
at the Strand Theatre, has 
been voted.a “Junior Acad- 
emy Award” for directing 
“Crime School,” according to 
the secretary of the Brooklyn 
Youth Association, which 
states that the director por- 
trayed the tough tenement 
“kids” sympathetically. Seiler 
says he should have, as he 
grew up among them. 


COUOUUCUUESERUOSSEOL CSTR EEASEO AR DSE DREAD AOEERAOEEOUEEREAOTEAOODOESS PERSE EOSEDEDDOOEEGEO DOOD EONS OED EAR IAT FELT 


the Strand Theatre, were vic- 
tims of the liquidless intoxica- 
tion, as were Director Lew Seiler 
and Cameraman Sid Hickox. 

They got drunk on air, or more 
accurately, pure oxygen, but 
didn’t spoil a “take,” as it was 
all over in a few minutes. What’s 
more, no one had a hangover. 

The oxygen came from tanks 
representing part of the anaes- 
thetic apparatus, which was rent- 
ed from a surgery supply house. 
The escaping gas was supposed to 
be merely compressed air, but one 
of the tanks really contained 
oxygen. It was supposed to es- 
cape during the scene, so as to 
produce the hissing sound fami- 
liar in using gas anaesthetic. 

Drs. Paul McWilliams and Leo 
Schulman, technical advisers, be- 
gan to note the symptoms and 
the increasing spirit of hilarity 
of the actors, and discovered its 
cause. The set was a small oper- 
ating room with closed doors and 
no overhead ventilation. 


Director Picks 
New Gangsters 


Tired of seeing the same ‘‘ gang- 
ster’’ types on the screen again 
and again, Director Lewis Seiler 
chose an entirely different group 
of bit players and extras to play 
gangsters in the Warner Bros, film 
‘“King of the Underworld,’’ which 
stars Humphrey Bogart. The only 
men oft-seen in mobster parts in 
this picture are principals of the 
big east, Bogart and Charley Foy. 
The picture opens Friday at the 
Strand Theatre. 

Kay Francis plays a supporting 
role to Bogart as a lady doctor 
in the underworld maelstrom. 


KING OF THE UNDERWORLD —CURRENT PUBLICITY 


Has Souvenirs 


(Review ) 


Gangster Film 


Starring Bogart 
Is Strand Hit 


With Humphrey Bogart stepping into his own as a star, “King of the Under- 
world,” a Warner Bros. melodrama, had a successful local premiere yesterday at the 
Strand Theatre. It combines tense and thrilling action with plentifully interspersed 


humor, unusual angles, and 


Humphrey Bogart is the new _ 


But he’s not new to audi- 
ences, having been featured in | 


star. 


many a dramatic picture — for | 
example such triumphs as “Pet- 
rified Forest,’ “Marked Woman,” 
the recently sensational “Crime 
School” and “The Amazing Dr. 
Clitterhouse.” But this time he 
gets top billing. It was predicted 
after his first picture that this 
chap with the menacing voice 
and eyes would soon reach star- 
dom. 


| Bogart Scores | 


Bogart plays the part of a gang 
chief with a Napoleonic complex. 
He thinks he’s the smartest and 
most daring bandit who ever 
lived — that he is, indeed, ex- 
actly what the title of this pic- 
A different role, 
Bogart nevertheless comes 


ture calls him. 


through easily. 
Kay Francis and her husband, 
in the story — John Eldredge — 


are surgeons. The husband, by 
his skill, saves the life of a 
wounded mobster, whereupon 
‘Red’ Gurney (Bogart) presses 
him into the service of the gang, 
without Kay’s knowledge. But 
the husband is killed and Kay 
has to carry on alone. 


Red Gurney also presses into 
his service — as historian and 
biographer of his conceited career 
— a young novelist whom he 
picks up along the roadway. He 
is James Stephenson, a London 
stage favorite recently arrived in 
Hollywood. 


Romance 


Then the woman doctor, Kay, 
is made prisoner by Red and his 
followers, and forced to dress 
their wounds after another of 
their conflicts with the police. 
Between her and Stephenson 
there is the beginning of a ro- 
mance as they remain fellow 
captives. 


Kay outsmarts Red and his 
men and is able to turn them 
over to the law by putting them 
out of commission for the time 
through administering a tem- 


porarily blinding fluid. 


| Humor | 


As usual with his menacing 
parts, Bogart bestows upon his 
villain-character certain elements 
of likeableness and humor. You 
know that Red Gurney is a terri- 
ble person, but you’re willing to 
laugh with him and to a certain 
degree sympathize with him. 
This is the best part the new 
star has ever had in his three- 
year-old movie career, and the 
picture is one that should please 
all picture-goers. 


Others in “King of the Under- 
world” include Jessie Busley, Ar- 
thur Aylesworth, Raymond 
Brown, Harland Tucker, John 
Ridgely and Charley Foy. The 
picture was directed by Lewis 
Seiler from a screen play by 
George Bricker and Vincent Sher- 
man. Based on a story by the 
famous W. R. Burnett, who wrote 
“Little Caesar’ and many an- 
other thriller. 


a surprise ending. 


Camera Running 
Backward Halts 
Film Production 


Something that doesn’t occur once in 100,000 “takes” 
of motion pictures, actually did happen recently in a 


HUMPHREY BOGART, 
Kay Francis 
Stephenson in “King of 
the Underworld.” 


and James 


Mat 213-—30c 


| scene for Warner Bros.’ “King of the Underworld,” the 


melodrama starring Humphrey Bogart, which is now 
playing at the Strand Theatre. 


The scene called for James Ste- 
phenson, the new British leading 
man of the picture, to be stretched 
out on the floor after a knockout 
punch from a gangster. Then the 
action required Kay Francis to 
dash to his side, kneel and try to 
revive him. Then Humphrey Bo- 
gart was to cross the room and 
splash a piteher of water in his 
face to restore consciousness. 


They all went through their 
parts perfectly, but suddenly Sid 
Hickox, the cameraman, shouted 
‘‘Cut! Hold everything! The 
camera’s running backwards! ’’ 


And so it was. It was a new 
camera, the adjustments of which 
had not been checked over. The 


gadget which controls the direction 
of the film’s run was set the wrong 
way. 


| Strange Effect | 


Had this ‘‘take’’ been projected 
upon the screen, it would have 
shown water leaping up from 
Stephenson’s face into the pitcher 
held by Bogart, and would have 
shown Miss Francis springing from 
her knees and backing away from 
the prostrate man, and also would 
have pictured Bogart dropping a 
filed pitcher on a table and walk- 
ing to the rear out of camera 
range. 


FASHION AUTHORITY 
OFFERS HELPFUL HINTS 
FOR ENJOYABLE TRAVEL 


By Orry-Kelly 


(Famous Hollywood Stylist) 


Too often a vacationer will buy 
the first thing she sees, providing 
it’s large enough, regardless of 
whether it harmonizes with her 
travel clothes and regardless of 
whether it pro- 
tect her clothes 
packed there- 
in. Kay Fran- 
cis, now fea- 
tured in the 
Warner Bros. 
melodrama, 
‘¢King of the 
Underworld,’’ 
now at the 
Strand Thea- 
tre has spent 
so mueh time 
traveling that she is well equipped 
to give some luggage advice. 

‘<Three pieces of hand luggage 
are extremely mecessary,’’ says 
Kay. ‘‘I like one big bag, a hat 
box and a cosmetic container. My 
big bag has hanger arrangements 
to keep gown and coats from 
wrinkling, another compartment 


Mat 107—I15c 
KAY FRANCIS 


for shoes and a third for such 
things as lingerie. Since hats are 
so easily bent and ruined by trav- 
eling, a special box for them is 
important even to the girl dashing 
off for less than a week. The third 
piece of luggage I like is a make- 
up box which in many ways is 
most important of all. 

‘The most important thing to 
do is to plan your luggage, just 
as you plan your wardrobe. In 
my travels, people have remarked 
how compactly I keep my things. 
The secret is having a place for 
everything and placing each arti- 
ele in its proper compartment. 
With a special make-up box there 
is no danger of powder or per- 
fume spilling over your beautiful 
new gowns. 

‘When luggage is not in use, it 
should be carefully wiped and put 
away where safe from dampness 
or too much heat. Too much care? 
Not when you remember that ev- 
eryone sees your luggage.’’ 


[12] 


Of Big 


Career 


Kay Francis is going to have three pleasant souvenirs 
of her film career when and if — as she has announced — 
she retires from active screen work. 

These are movie prints of ‘‘Gentlemen of the Press,’’ 


her first picture, ‘‘One Way 


her all-time favorites, and “King 
of the Underworld,” the Warner 
Bros. melodrama starring Hum- 
phrey Bogart, her most recent 
picture now showing at the 
Strand Theatre. 

She will purchase the prints 
from Warner Bros. and Para- 
mount, and keep them for exhib- 
ition in her own home in a small 
fire-proof vault built especially 
for the purpose. 

The success of “King of the 
Underworld” at preview showings 
may change her retirement plans, 
but still she’ll secure the prints, 
which mark, she believes, three 
separate phases of her career. If 
it is necessary for the actress to 
purchase the prints she will pay 
only the actual film and process- 
ing costs, after agreeing not to 
exhibit them for paid admissions. 

“King of the Underworld” is 
next-to-last on her current War- 
ner Bros. contract. Opposite her 
in the picture are two leading 
men, James Stephenson of Brit- 
ish stage and screen fame, and 
John Eldredge, with Humphrey 
Bogart starred as the gangster 
villain. 


”” 


Passage,’’ which was one of 


Mat 109—I15c 


KAY FRANCIS, who plays oppo- 
site Humphrey Bogart in “King 
of the Underworld” now at the 
Strand Theatre. 


Steve a D.D.S. 


The only qualified dentist who 
appears on the sereen as a film 
hero is James Stephenson, British 
stage and sereen idol. Now in Hol- 
lywood, he played in the Warner 
Bros. picture ‘‘King of the Un- 
derworld,’’ starring Humphrey 
Bogart, now showing at the Strand 
Theatre. He practiced dentistry a 
year before becoming interested in 
theatrics and going on the stage. 


Bogie Photo Expert 


Humphrey Bogart, a candid cam- 
era enthusiast, exhibits his snap- 
shots under another name which 
he doesn’t want revealed. But if 
you see a picture of an electrician 
dozing against the switches beside 
a movie set, you’ll know it’s one 
that ‘‘Bogie’’ took during the 
filming of ‘‘King of the Under- 
world,’’ his latest Warner Bros. 
melodrama new playing at the 
Strand Theatre. It’s called 
‘<Asleep at the Switch’’ and will 
appear in photographic salons. 


Titled Visitor 


Kay Francis’s fiance, Baron 
Erik Barnekow, visited Warner 
Bros. Studio recently to watch 
night scenes filmed for her latest 
picture, ‘‘King of the Under- 
world,’’ starring Humphrey Bo- 
gart, which is now playing at the 
Strand Theatre. He doesn’t care 
much for the artistic side of films 
but is interested in their mechan- 
ics—although by no means so much 
as he’s interested in aviation, his 
own pursuit. 


Learned Gangster 


Kay Francis says to gang lead- 
er Humphrey Bogart in the War- 
ner Bros. film, ‘‘King of the Un- 
derworld’’, ‘‘Sounds as_ though 
you’d read a good deal.’’ 

‘‘Dat’s nuttin’,’’ says Bogart. 
‘<T was librarian for three years.’’ 
Seeing Kay is startled by that, 
he adds: ‘‘Dat was after I gotta 
cough an’ dey took me outa the 
jute mill.’’ 


PRESS AND PROGRAM 
SHORTS AND FILLERS 


Debut At 70 


Jessie Busley, famed 70-year- 
old stage actress in ‘‘King of the 
Underworld,’’ the Warner Bros. 
melodrama starring Humphrey Bo- 
gart, now at the Strand, filmed her 
first cinema scene only a few days 
after stepping out of the cast of 
‘The Women’’ which stage play 
ran on and on in New York. She 
says film work seems easy to her 
because it’s new and interesting. 


Aid For Medicos 


Surgical equipment purchased 
for use in certain scenes of the 
new Warner melodrama, ‘‘ King of 
the Underworld,’’ now showing at 
the Strand Theatre, was donated 
at the end of the picture to a co- 
operative clinic of young doctors in 
East Los Angeles. Other equip- 
ment used in hospital scenes had 
been rented from a surgical supply 
house. No regular studio ‘‘props’’ 
were used because Director Lewis 
Seiler sought the ultimate in real- 
ism for his scenes. 


Players Reunited 


Humphrey Bogart played in a 
drama with Kay Francis for the 
first time since they were on the 
stage together on Broadway, when 
he stepped into the lead of ‘‘ King 
of the Underworld’’ recently. The 
Warner Bros. picture opens Friday 
at the Strand Theatre. He has a 
bandit role said to afford oppor: 
tunities greater than in ‘‘ Petrified 
Forest,’’ one of his greatest screen 
hits. 


Quick With Pen 


The readiest autograph giver 
among the film stars is Kay Fran- 
cis. She tosses out a signature, 
well-written in record time — and 
if it’s not in a crowd, or she’s 
not in a hurry, she’ll give it that 
personal touch: *‘To Jane, with 
best wishes — etc.’’ Her latest 
Warner Bros. picture is ‘‘King 
of the Underworld,’’ which stars 
Humphrey Bogart. 


ee Ss 


KAY 


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also available. 


[13] 


HUMPHREY 


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